Ephemera · Daniel Popper
Projection-mapping the surface of Daniel Popper's Ephemera at Reno's first illuminated art festival — a monumental kneeling figure with antler crown crowned in floral light. Mid-install, an unforecast snowstorm rewrote the sculpture's surface in white. The studio re-tuned the entire visual language overnight to read on snow.
- Brief
Project-map Daniel Popper's Ephemera for Reno's inaugural Western Lights Festival — surface as canvas for a multi-night composition.
- Approach
Treat the kneeling figure as canvas. Baroque scrollwork mapped to her geometry, scored to read across the plaza.
- Outcome
Multi-night composition in vibrant pink, gold and ornament — calibrated to clean white fiberglass.
- Challenges
Mid-install snowstorm rewrote the surface. We re-tuned the palette and density overnight to read on snow.
- Result
Daniel Popper's full creative trust. One of the inaugural festival's signature works.

Ephemera is one of Daniel Popper's monumental works — a kneeling figure with hands clasped in prayer, antlers crowned in cast-fiberglass flowers. For the inaugural Western Lights Festival in downtown Reno, the studio's role was the surface: project-map the figure with a multi-night composition built for the geometry of her form.
I · The sculpture as canvas
Western Lights is Reno's first illuminated art festival — three city plazas across six downtown blocks, transformed into an outdoor gallery for three nights. Daniel Popper was in the inaugural lineup; his Ephemera anchored one of the central plazas.
Our brief was the surface of the work itself. Treat the sculpture as canvas. Compose a baroque scrollwork vocabulary — vibrant ornament that flows across the robe, antlers, and crown — that reads at a distance and rewards a closer look.


II · The storm
Then it snowed. An unforecast storm hit Reno mid-install. Within hours, the sculpture was no longer the white fiberglass we had calibrated against — she was a snow-covered figure. The original palette, built for clean reflective surface, would have read flat against the new white-on-white.


III · Adapting the pattern
We re-mapped overnight. The new palette swapped warm tones for cool — deep blues, silver scrollwork, baroque ornament tuned to the temperature of snow. Pattern density rose, so the projected ornament could compete with the texture the snowstorm had added. The flower-crown highlights stayed warm to compensate for the ambient drop.
The result was a piece that felt like it had always been winter. The work held attention — and Daniel Popper's full creative trust — across all three nights.


Weather as material, not obstacle.
- Year
- February 2025
- Location
- Downtown Reno, Nevada
- Role
- Projection mapping · Multimedia composition · Real-time content adaptation
- With
- Daniel Popper (Sculpture) · Western Lights Festival (Production · City of Reno) · Tyreek B Hitt (Photography)
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